Best 70s Guitar Solos

UPDATED:Apr 15, 2026 5:51 PM

POSTED:Mar 24, 2026 12:27 PM

The 1970s weren’t just a great decade for rock—they were a defining era for the electric guitar, and home to some of the best 70s guitar solos ever recorded.

At Top40Weekly, we’ve always seen the 70s as the moment when the guitar solo became more than just a section of a song. It became the moment. The part people waited for. The part they remembered.

From blues-driven improvisation to soaring, melodic leads, the decade gave us a level of expression that still shapes how guitar music is played today. Some solos felt raw and unfiltered. Others were precise, almost architectural. But the best of them all had one thing in common—they elevated the song into something bigger.

This list is our take on the best guitar solos of the 70s, ranking the performances that defined the decade through tone, emotion, technique, and lasting impact.

Editor’s Note — Ray Andersen

This list was shaped with input from lead editor Ray Andersen, who approached the ranking from both a musical and cultural perspective.

“While you would think solo, riff and lick, denotes (see what I did there?) an electric guitar only…a few of these absolutely memorable gems have an acoustic guitar doing just that, or masterfully blending with an electric guitar.

Case in point: The iconic opening of the YES masterpiece, Roundabout and the unforgettable acoustic rhythm guitar strumming on The Who’s Pinball Wizard. ”

To build this ranking, we focused on:

Musical Impact — how the solo elevates the song
Technique & Tone — phrasing, control, and distinct sound
Cultural Legacy — influence on future guitarists and genres
Memorability — the solos people still go back to decades later

We also made sure to include a range of styles—from classic rock and blues to early metal and progressive rock—reflecting the full scope of 70s guitar solos.

Top 40 Best Guitar Solos

#40. Blue Öyster Cult – “Don’t Fear the Reaper” (Buck Dharma)

Buck Dharma’s solo on “Don’t Fear the Reaper” is a perfect example of restraint over excess. It doesn’t rush or try to overpower the song—instead, it builds gradually, adding emotional weight to an already atmospheric track. In our view, it’s one of those solos that proves how much impact can come from tone and phrasing alone.

Released in 1976 on Agents of Fortune
Peaked at #12 on the Billboard Hot 100
One of Blue Öyster Cult’s most recognizable and enduring songs
Solo known for clean tone, melodic phrasing, and controlled pacing

#39. Thin Lizzy – “Still in Love With You” (Gary Moore, Scott Gorham)

This track leans heavily into emotion, and the solo work reflects that from start to finish. Gary Moore’s phrasing in particular carries a blues-heavy intensity that feels almost conversational. It’s less about technical display and more about expression, which is exactly why it’s lasted.

Originally released in 1974 on Nightlife
Known for extended live versions featuring improvisation
Gary Moore later revisited the song in his solo career
Widely regarded as one of the most emotional performances in 70s rock

#38. Robin Trower – “Too Rolling Stoned”

Robin Trower’s style has always leaned into feel over flash, and this track is one of the clearest examples of that approach. The solo stretches out, almost drifting, but never loses direction. It’s immersive in a way that many 70s guitar solos aim for but don’t always achieve.

Released in 1974 on Bridge of Sighs
Album reached Top 10 on the Billboard 200
Known for heavy use of sustain, vibrato, and tone shaping
Strong influence from Jimi Hendrix’s playing style

#37. Derek and the Dominos – “Layla” (Eric Clapton, Duane Allman)

Few solos are as instantly recognizable as “Layla.” What makes it stand out is the contrast—Clapton’s raw attack paired with Duane Allman’s fluid slide work. Together, they created something layered and unforgettable.

Released in 1970 on Layla and Other Assorted Love Songs
Duane Allman’s slide guitar became a defining element of the track
Song gained major popularity after its 1972 single re-release
Frequently ranked among the greatest guitar solos of the 70s

#36. Mountain – “Mississippi Queen” (Leslie West)

Leslie West’s tone on “Mississippi Queen” is thick, immediate, and impossible to ignore. The solo doesn’t overstay its welcome—it hits hard, delivers its impact, and gets out. That efficiency is exactly what gives it its lasting punch.

Released in 1970 on Climbing!
Peaked at #21 on the Billboard Hot 100
Known for one of the most distinctive guitar tones of the era
A staple of early hard rock radio

#35. Neil Young – “Cortez the Killer”

Neil Young approaches solos differently—less structured, more instinctive. On “Cortez the Killer,” the guitar feels like an extension of the narrative rather than a separate moment. It’s loose, emotional, and deeply atmospheric.

Released in 1975 on Zuma
Known for extended live versions with improvisation
Frequently cited among the best guitar solos of the 70s for its emotional depth
Influenced later alternative and indie guitar styles

#34. Free – “All Right Now” (Paul Kossoff)

Paul Kossoff’s playing is built on feel, and “All Right Now” is one of the clearest examples of that philosophy. The solo is simple on the surface, but every note is placed with intent. It’s a reminder that phrasing often matters more than complexity.

Released in 1970 on Fire and Water
Peaked at #4 on the Billboard Hot 100
Became Free’s biggest international hit
Known for expressive bends and vibrato-heavy style

#33. Aerosmith – “Sweet Emotion” (Joe Perry)

Joe Perry’s work on “Sweet Emotion” leans more into texture than traditional solo structure. The guitar lines weave in and out of the track, adding layers rather than taking over. That approach helped define Aerosmith’s early sound.

Released in 1975 on Toys in the Attic
Peaked at #36 on the Billboard Hot 100 (later became a classic rock staple)
One of Aerosmith’s signature songs
Known for blending groove, tone, and subtle lead work

#32. Tom Petty and the Heartbreakers – “Breakdown” (Mike Campbell)

Mike Campbell’s playing on “Breakdown” is all about space. The solo doesn’t try to fill every moment—it leaves room, which makes each note land harder. It’s a controlled, understated performance that fits the song perfectly.

Released in 1976 on the band’s self-titled debut album
Became a Top 40 hit on the Billboard Hot 100 (#40, 1977 re-release)
Known for minimalist, blues-influenced phrasing
Helped establish Tom Petty’s early sound

#31. Grand Funk Railroad – “Inside Looking Out” (Mark Farner, Mel Schacher)

This track captures the raw, extended jam style that defined much of early 70s rock. The guitar work stretches out, building intensity over time rather than delivering a single, tight solo. It’s less structured—but that’s exactly the point.

Featured on Grand Funk (The Red Album), 1969; widely performed throughout the early 70s
Known for extended live versions with improvisational solos
Helped define Grand Funk Railroad’s heavy, blues-rock sound
A strong example of the jam-driven approach found in early 70s guitar solos

#30. ZZ Top – “Blue Jean Blues” (Billy Gibbons)

Billy Gibbons has always been about tone first, and “Blue Jean Blues” might be the purest example of that philosophy. The solo doesn’t rely on speed or complexity—it leans entirely on feel, sustain, and phrasing. It’s slow, deliberate, and deeply rooted in blues tradition, which gives it a weight that builds over time rather than hitting all at once.

Released in 1975 on Fandango!
Showcases Gibbons’ signature use of sustain and vibrato
Strong blues influence rooted in Texas-style guitar playing
Often cited among the best guitar solos of the 70s for tone and feel

#29. Yes – “Starship Trooper (Würm)” (Steve Howe)

The closing section of “Starship Trooper”—known as “Würm”—is where Steve Howe fully stretches out. The solo builds gradually, layering repetition with variation until it reaches a kind of hypnotic peak. It’s not just technical—it’s structured in a way that feels almost architectural, which is a hallmark of progressive rock at its best.

Released in 1971 on The Yes Album
“Würm” section became a live performance centerpiece
Known for gradual build and melodic development
A defining example of progressive rock guitar work

#28. Frank Zappa – “Inca Roads”

Frank Zappa approached guitar solos differently than almost anyone else. On “Inca Roads,” the solo feels unpredictable, shifting in phrasing and rhythm in ways that don’t follow conventional rock structure. That unpredictability is exactly what makes it compelling—it demands attention rather than offering easy familiarity.

Released in 1975 on One Size Fits All
Known for complex time signatures and compositional structure
Features one of Zappa’s most celebrated recorded solos
Frequently mentioned among the greatest guitar solos of the 70s in progressive circles

#27. Joe Walsh – “Turn to Stone”

Joe Walsh’s playing has always had a loose, almost reckless quality—but it’s controlled underneath. On “Turn to Stone,” the solo carries that energy forward, balancing grit with clarity. It’s the kind of performance that feels spontaneous, even though it’s tightly constructed.

Released in 1972 (James Gang) and re-recorded in 1974 (So What)
Known for raw tone and blues-rock phrasing
Walsh later joined the Eagles, expanding his influence
A staple of classic rock radio

#26. Rory Gallagher – “Tattoo’d Lady”

Rory Gallagher’s playing is rooted in authenticity. There’s no overproduction, no excess—just direct, expressive guitar work. On “Tattoo’d Lady,” the solo feels immediate and alive, as if it could change slightly every time it’s played.

Released in 1973 on Tattoo
Known for Gallagher’s aggressive picking and phrasing
Strong influence on blues-rock and hard rock guitarists
Frequently highlighted in discussions of 70s guitar solos for its raw energy

#25. The Rolling Stones – “Time Waits for No One” (Mick Taylor)

Mick Taylor’s work on this track stands apart from much of the Stones’ catalog. The solo is fluid, almost jazzy, and completely locked into the groove of the song. It doesn’t dominate—it flows, which is what gives it its lasting impact.

Released in 1974 on It’s Only Rock ’n Roll
One of Mick Taylor’s final major recordings with the band
Known for smooth phrasing and melodic structure
Often cited as one of the most underrated Stones guitar moments

#24. UFO – “Rock Bottom” (Michael Schenker)

Michael Schenker’s solo on “Rock Bottom” is one of the defining moments of 70s hard rock. Especially in live versions, the solo expands into extended improvisation, showcasing both technical control and melodic awareness. It’s a blueprint for what hard rock guitar would become.

Released in 1974 on Phenomenon
Live versions (especially Strangers in the Night, 1979) feature extended solos
Known for precise phrasing and fast, controlled runs
A key influence on 80s metal guitarists

#23. Jeff Beck – “Cause We’ve Ended As Lovers”

Jeff Beck’s playing here is almost vocal in nature. Every note feels intentional, shaped, and expressive. The solo doesn’t rely on traditional structure—it unfolds slowly, emphasizing tone and emotion over technical display.

Released in 1975 on Blow by Blow
Written by Stevie Wonder
Known for volume swells and expressive phrasing
Widely considered one of the best guitar solos of the 70s for its emotional depth

#22. Scorpions – “Sails of Charon” (Uli Jon Roth)

Uli Jon Roth brought a neoclassical edge into rock guitar before it became widely popular. On “Sails of Charon,” his playing combines speed, precision, and exotic phrasing in a way that feels ahead of its time. It’s a glimpse of where metal guitar would go in the next decade.

Released in 1977 on Taken by Force
Known for advanced scale work and fast runs
Major influence on neoclassical and metal guitarists
One of the most technically advanced solos of the era

#21. Kansas – “Carry On Wayward Son” (Rich Williams, Kerry Livgren)

This solo stands out for how seamlessly it fits into the structure of the song. It’s not overly long or flashy, but it hits with precision and clarity. The dual-guitar interplay adds depth, giving the section a layered feel that elevates the entire track.

Released in 1976 on Leftoverture
Peaked at #11 on the Billboard Hot 100
One of Kansas’ most recognizable songs
A defining example of structured, melodic 70s guitar solos

#20. Santana – “Europa (Earth’s Cry Heaven’s Smile)”

Carlos Santana’s playing on “Europa” is all about tone and emotion. The solo unfolds slowly, almost like a vocal performance, with each phrase building on the last. There’s no rush to get anywhere—just a steady, expressive progression that makes the track feel timeless.

Released in 1976 on Amigos
One of Santana’s most recognizable instrumental pieces
Known for sustained notes, phrasing, and melodic development
Frequently cited among the best guitar solos of the 70s

#19. The Who – “Baba O’Riley” (Pete Townshend)

Pete Townshend’s role in “Baba O’Riley” is less about a traditional solo and more about structure and impact. When the guitar finally steps forward, it cuts through with purpose. The phrasing is sharp and direct, fitting perfectly within the song’s larger build.

Released in 1971 on Who’s Next
Known for blending synthesizers with rock guitar
Became one of The Who’s signature songs
Showcases Townshend’s rhythmic precision and tone

#18. Black Sabbath – “War Pigs” (Tony Iommi)

Tony Iommi’s solo work on “War Pigs” captures the early blueprint of heavy metal guitar. It’s aggressive but controlled, built on strong phrasing rather than speed alone. The tone—thick and slightly raw—became a defining characteristic of the genre.

Released in 1970 on Paranoid
Album reached Top 10 in the US and UK
Known for shaping the foundation of heavy metal guitar
A key entry among the greatest guitar solos of the 70s

#17. Fleetwood Mac – “Go Your Own Way” (Lindsey Buckingham)

Lindsey Buckingham’s solo here feels almost urgent. It’s not overly polished—it has an edge that mirrors the emotion behind the song. That tension between control and release is what gives the performance its impact.

Released in 1976 on Rumours
Rumours sold 40M+ copies worldwide
Known for rhythmic precision and sharp phrasing
One of Fleetwood Mac’s most enduring tracks

#16. Rush – “La Villa Strangiato” (Alex Lifeson)

Alex Lifeson’s work on “La Villa Strangiato” is both technical and expressive. The solo moves through multiple sections, each with its own tone and feel, yet it remains cohesive. It’s a clear example of how progressive rock expanded what a guitar solo could be.

Released in 1978 on Hemispheres
Instrumental track showcasing advanced composition
Known for dynamic shifts and technical execution
A standout in discussions of 70s guitar solos in prog rock

#15. Boston – “More Than a Feeling” (Tom Scholz)

Tom Scholz’s solo is built around clarity and tone. Every note is clean, every phrase deliberate, which gives the performance a polished, almost engineered feel. It’s one of the most recognizable guitar moments in classic rock.

Released in 1976 on Boston
Album sold 17M+ copies in the US alone
Peaked at #5 on the Billboard Hot 100
Known for layered guitar production and precision

#14. David Bowie – “Moonage Daydream” (Mick Ronson)

Mick Ronson’s solo on “Moonage Daydream” is theatrical without losing control. It builds intensity quickly, matching Bowie’s larger-than-life presence while still standing on its own. It’s bold, expressive, and unmistakably part of that era.

Released in 1972 on The Rise and Fall of Ziggy Stardust and the Spiders from Mars
Known for glam rock influence and arrangement
Ronson’s guitar work became a defining part of Bowie’s sound
Frequently listed among the best guitar solos of the 70s

#13. AC/DC – “Let There Be Rock” (Angus Young)

Angus Young’s solo on this track is pure energy. It’s fast, aggressive, and built on repetition that gradually intensifies. There’s no overthinking—it’s direct and physical, which is exactly what makes it work.

Released in 1977 on Let There Be Rock
Known for high-energy live performances
Became a staple of AC/DC’s stage shows
A defining example of raw hard rock guitar

#12. Robin Trower – “Bridge of Sighs”

Robin Trower’s approach here is immersive. The solo doesn’t feel separate from the song—it’s woven into it. The tone is thick and sustained, with a sense of space that allows each note to fully land.

Released in 1974 on Bridge of Sighs
Album reached Top 10 on the Billboard 200
Strong Hendrix influence in tone and phrasing
Widely considered one of the greatest guitar solos of the 70s

#11. Genesis – “Firth of Fifth” (Steve Hackett)

Steve Hackett’s solo on “Firth of Fifth” is often described as one of the most melodic in progressive rock. It builds carefully, moving from subtle phrasing into a more expansive, soaring section. The structure is deliberate, and the payoff feels earned.

Released in 1973 on Selling England by the Pound
Known for sustained notes and expressive phrasing
A defining moment in Genesis’ early catalog
One of the most respected progressive rock guitar performances

#10. Led Zeppelin – “Stairway to Heaven” (Jimmy Page)

Jimmy Page’s solo on “Stairway to Heaven” is often treated as the benchmark—and for good reason. It doesn’t just arrive; it builds. By the time the solo enters, the song has already created enough tension that every note feels like a release. Page’s phrasing moves from controlled to explosive in a way that feels completely natural, never forced. In our view, it’s one of the clearest examples of how a solo can serve as the emotional climax of a song rather than just a technical showcase.

Released in 1971 on Led Zeppelin IV
Widely regarded as one of the most iconic solos in rock history
Known for dynamic build, phrasing, and tonal progression
Frequently ranked among the best 70s guitar solos

#9. Pink Floyd – “Comfortably Numb” (David Gilmour)

David Gilmour’s solo work on “Comfortably Numb” is all about control and emotional precision. The phrasing is deliberate, with each note placed exactly where it needs to be. What makes it stand out is how it balances restraint with intensity—never rushing, but still building toward something powerful. It’s a masterclass in letting the guitar speak without overplaying.

Released in 1979 on The Wall
Features two solos, with the outro widely considered one of the greatest ever
Known for sustain, tone, and melodic phrasing
A defining example of the greatest guitar solos of the 70s

#8. Lynyrd Skynyrd – “Free Bird” (Allen Collins, Gary Rossington)

The solo section of “Free Bird” is less a single moment and more a full-scale progression. It starts measured, then gradually expands into something faster, louder, and more intense. By the end, it feels almost relentless. That escalation is what gives it its legacy—it’s not just memorable, it’s overwhelming in the best way.

Released in 1973 on (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd)
Became a defining Southern rock anthem
Known for extended live versions with even longer solos
A staple of classic rock radio and live performances

#7. Queen – “Bohemian Rhapsody” (Brian May)

Brian May’s solo sits right at the center of “Bohemian Rhapsody,” acting as a bridge between completely different sections of the song. It’s concise, but every note is intentional. What stands out is how well it fits—never overpowering the track, but elevating it at exactly the right moment.

Released in 1975 on A Night at the Opera
Bohemian Rhapsody reached #1 in the UK
Known for melodic clarity and layered guitar tone
One of the most recognizable solos in rock history

#6. The Eagles – “Hotel California” (Joe Walsh, Don Felder)

The dual guitar solo on “Hotel California” is all about interplay. Instead of one guitarist taking over, Walsh and Felder build off each other, creating a layered, almost conversational performance. The structure is tight, but it never feels rigid—it flows naturally from one phrase to the next.

Released in 1976 on Hotel California
Song reached #1 on the Billboard Hot 100 (1977)
Album sold 30M+ copies worldwide
Known for harmonized lead guitar work and structure

#5. Jimi Hendrix – “Machine Gun” (Live at Fillmore East)

Even though it leans into the very start of the decade, Hendrix’s performance of “Machine Gun” at Fillmore East is impossible to leave out. The solo isn’t just musical—it’s expressive in a way that feels almost narrative. The guitar mimics sound effects, tension, and release in a way that few performances ever have.

Performed live on January 1, 1970 (Band of Gypsys)
Featured on the Band of Gypsys live album (1970)
Known for use of feedback, sustain, and dynamic control
Frequently cited among the best guitar solos of the 70s

#4. Deep Purple – “Highway Star” (Ritchie Blackmore)

Ritchie Blackmore’s solo on “Highway Star” is one of the earliest examples of neoclassical influence in rock guitar. It’s fast, precise, and structured around scale patterns that feel almost composed rather than improvised. That level of control helped push rock guitar into more technical territory.

Released in 1972 on Machine Head
Known for fast alternate picking and scale-based phrasing
One of the earliest examples of neoclassical rock guitar
A major influence on later metal guitarists

#3. The Allman Brothers Band – “Jessica” (Dickey Betts)

Dickey Betts’ work on “Jessica” is built around melody and flow. The solo doesn’t rely on speed—instead, it develops gradually, with each phrase leading naturally into the next. It’s one of those performances that feels effortless, even though the structure is carefully built.

Released in 1973 on Brothers and Sisters
Instrumental track driven by dual guitar harmony
Known for melodic phrasing and Southern rock influence
A standout example of 70s guitar solos focused on musicality

#2. Dire Straits – “Sultans of Swing” (Mark Knopfler)

Mark Knopfler’s solo on “Sultans of Swing” stands out because of how clean and controlled it is. His fingerstyle technique gives each note a distinct articulation, and the phrasing feels almost effortless. It’s not flashy—it’s precise, and that precision is what makes it so memorable.

Released in 1978 (re-released 1979, Billboard success)
Peaked at #4 on the Billboard Hot 100 (1979)
Known for fingerpicking technique and clarity
Frequently ranked among the greatest guitar solos of the 70s

#1. Ted Nugent – “Stranglehold”

“Stranglehold” earns the top spot because of its sheer control and atmosphere over an extended runtime. The solo doesn’t come and go—it evolves across the track, building layers of intensity without losing direction. It’s less about a single peak moment and more about sustained presence, which is rare even among the best.

Released in 1975 on Ted Nugent
Known for extended solo sections and improvisation
Became Nugent’s signature track
A defining example of long-form solo development in 70s rock

FAQ: 70s Guitar Solos

What are the best 70s guitar solos of all time?

Some of the best 70s guitar solos include performances from artists like Led Zeppelin, Pink Floyd, The Allman Brothers Band, and Queen. These solos are known for their emotional depth, technical skill, and lasting influence on rock music.

Why are 70s guitar solos so iconic?

The 1970s gave guitarists more space within songs, allowing solos to develop naturally rather than feeling rushed. This led to some of the greatest guitar solos of the 70s, where expression and phrasing became just as important as technical ability.

Who were the best guitarists for solos in the 70s?

Some of the most influential guitarists of the decade include Jimmy Page, David Gilmour, Eric Clapton, Duane Allman, and Brian May. Their work helped define what we now consider the best guitar solos of the 70s.

What makes a guitar solo great?

A great guitar solo isn’t just about speed or complexity. The most memorable solos combine tone, phrasing, timing, and emotion. Many of the greatest guitar solos of the 70s stand out because they feel like an extension of the song rather than a separate performance.

Are 70s guitar solos still influential today?

Yes—many modern rock, blues, and even metal guitarists continue to draw inspiration from 70s playing styles. The structure and feel of 70s guitar solos still shape how solos are written and performed today.

Best Acoustic Guitar Songs of All Time

The Best Guitarists of All Time

Top Bass Guitar Songs

Famous Classic Rock Songs That Defined Generations

Best Hard Rock Songs of All Time

Blues Songs From the 1970s

Best Guitar Hero Songs

Conclusion

Looking back, the 1970s feel like a turning point for what the guitar could do in popular music.

These solos weren’t just technical showcases—they were emotional peaks, defining moments within songs that still resonate today. Whether it’s a slow, expressive bend or a fast, explosive run, the best solos from this era continue to set the standard.

And as we count down this list, it becomes clear: the legacy of the 70s isn’t just in the songs—it’s in the solos that made them unforgettable.

Sources & References

To build this ranking, we referenced chart data, artist discographies, and historical editorial sources:

Chart & Historical Data

Billboard Charts — https://www.billboard.com
Official Charts — https://www.officialcharts.com

Artist & Music Databases

AllMusic — https://www.allmusic.com
Rock & Roll Hall of Fame — https://www.rockhall.com

Editorial & Music Analysis

Rolling Stone — Greatest Guitar Songs & Solos
https://www.rollingstone.com/music/music-lists/100-greatest-guitar-songs-15933/
Guitar World — Best Guitar Solos of All Time
https://www.guitarworld.com
NME — Rock & Guitar Features
https://www.nme.com

Ray Andersen

Hailing from the State of New Jersey, Songwriter/Singer/Multi-Instrumentalist/Producer Ray Andersen, was a full time band member of Meat Loaf, as his guitarist/keyboardist/backup singer, from '98-'02, touring all of Europe and the US, and appearing on many TV shows with him like Letterman, the View, the Tonight Show and TGIF in the UK.

As part of the Asbury Park Stone Pony house band through most of the 80s, he performed with Bruce Springsteen as his backup band, multiple times, as well as many other events, backing the Boss.

He and his original band appeared as Matchbox Twenty’s opening band for their entire German tour. He’s also played keyboards for rock pioneer, Chuck Berry.

He’s recorded music for many national TV commercials including 15 Publishers Clearing House commercials, recorded in his home studio.

In 2023, he recorded the Linda Ronstadt classic song, Different Drum, for the Netflix movie, The Tutor, staring Noah Schnapp from Stranger Things.

For over 25 years, he has written and performed music for children and families as mr. RAY…writing, recording and performing original songs with messages of kindness, inclusion, being creative and staying healthy & active. His streams for kids music was well over 6 million in 2022.

A touring national musical based on one of his children’s songs, started this past October 2023. He’s written eight new songs for it.

In January 2021, Ray became an Official United Nations NGO (non-governmental organization) Representative of Pathways To Peace, on behalf of his musical work and message of kindness, diversity and inclusion, with children... an ambassador of peace through his music.

He has recently formed a non-profit called the Wellbeing Human, which will be an original musical project whereby teens will sing and speak about their mental health journey and issues, to their fellow middle and high school students, in assemblies.

Rays honored to be a Takamine Guitar and Ukulele recording and performing artist for over twenty years.

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