Bo Diddley Biography
Ellas McDaniel, known as Bo Diddley was an American singer, guitarist, composer, and music producer who was instrumental in the shift from blues to rock & roll. He had a few singles in the 1950s and early 1960s. You can’t judge an artist based on his chart success, and Diddley produced more powerful and influential music than all but a few of the best early rockers. The Bo Diddley beat (bomp, ba-bomp-bomp, bomp-bomp) is a foundational rhythm in rock & roll, appearing in the work of Buddy Holly, the Rolling Stones, and even pop-garage knock-offs like the Strangeloves’ 1965 song “I Want Candy.” Diddley’s mesmerizing rhythmic attack and declamatory, boastful vocals traced their roots back to Africa and looked as far into the future as rap. His signature alien vibrating, fuzzy guitar sound contributed significantly to the instrument’s power and range. But, more importantly, Bo’s bounce was entertaining and irresistibly rocking, with a wisecracking, jiving tone that exemplified rock & roll at its most outrageously ridiculous and carefree.
Diddley was born in McComb, Mississippi on December 30, 1928. He had studied classical violin before taking up blues and R&B, but turned gears after hearing John Lee Hooker. In the early 1950s, he began working with his lifelong collaborator, maraca player Jerome Green, to get what Bo’s referred to as “that freight train sound.” Billy Boy Arnold, a brilliant blues harmonica player and vocalist in his own right, was also performing with Diddley when the guitarist signed with Chess in the mid-1950s (after being turned down by rival Chicago label Vee-Jay).
His first single, “Bo Diddley”/”I’m a Man,” was a double-sided monster in 1955. The A-side was drenched in futuristic waves of tremolo guitar, set to a timeless nursery rhyme, while the flip was a bump-and-grind, harmonica-driven shuffle built around a devastating blues riff. But the end effect was not blues or even plain R&B, but a new form of guitar-based rock & roll, steeped in blues and R&B but owing allegiance to neither.
Diddley was never a top seller on the scale of his Chess rival Chuck Berry, but he developed a catalogue of masterpieces that rivalled Berry’s in quality over the next half-decade or more. “You Don’t Love Me,” “Diddley Daddy,” “Pretty Thing,” “Diddy Wah Diddy,” “Who Do You Love?”, “Mona,” “Road Runner,” and “You Can’t Judge a Book by Its Cover” are all stone-cold standards of riff-driven rock & roll at its funkiest. Surprisingly, his lone Top 20 pop hit was “Say Man,” an unorthodox, comical back-and-forth rap between him and Jerome Green that came together almost by accident as the two were messing around in the studio.
Diddley was energising on stage, utilising his characteristic square guitars and distorted amplification to create new sounds that foreshadowed the breakthroughs of ’60s guitarists like Jimi Hendrix. In the United Kingdom, he was regarded as a giant on par with Chuck Berry and Muddy Waters. The Rolling Stones, in particular, borrowed heavily from Bo’s rhythms and attitude in their early days, though they only officially covered two of his songs, “Mona” and “I’m Alright.” Other British R&B groups such as the Yardbirds, Animals, and Pretty Things also covered Diddley standards in their early days. Buddy Holly covered “Bo Diddley” and utilized a modified Bo Diddley beat on “Not Fade Away”; when the Stones gave it the full-on Bo treatment (complete with swaying maracas), it became their first huge British hit.
The British Invasion helped raise public awareness of Diddley’s significance, and he’s been a successful live act ever since. Unfortunately, his commercial and artistic career as a recording artist was ended by the time the Beatles and Stones arrived in America. He continued to record on a regular and decreasing basis, but after 1963, he never wrote or recorded fresh work on par with his early hits. It’s difficult to say if he’d exhausted his inspiration or simply believed he could rest on his laurels. However, he remains an important part of the collective rock & roll consciousness, and he occasionally achieved wider visibility through a 1979 tour with the Clash, a cameo role in the film Trading Places, a late-’80s tour with Ronnie Wood, and a 1989 television commercial for sports shoes with star athlete Bo Jackson.
Bo Diddley Discography
|A Man Amongst Men
|Big Bad Bo
|Two Great Guitars
|Bo Diddley in the Spotlight
|Have Guitar Will Travel
|Go Bo Diddley
Frequently Asked Questions
What Was Bo Diddley First Album?
The first album Bo Diddler recorded was called “Bo Diddley” and it was released in 1955. The album featured the song “Bo Diddley” which would become his signature song. The album was a hit and helped to launch Bo Diddley’s career.
What Was Bo Diddley Biggest Hit?
Bo Diddley’s biggest hit was “Bo Diddley”, which reached number one on the R&B charts in 1955. The song was also a top ten hit on the pop charts, peaking at number eight.
What Song Is Bo Diddley Famous For?
Bo Diddley is famous for his song “Bo Diddley”, which was a hit in 1955. He is also well-known for his unique style of guitar playing, which influenced many other artists.
What Genre Of Bo Diddley?
What Is The Best Selling Album Of Bo Diddley?
The best selling album of Bo Diddley is “The Best of Bo Diddley”. It was released in 1958 and has sold over one million copies.